Finale uses libraries that contain reusable sets of musical elements such as expression markings and chord-symbol suffixes. The Finale installation includes a basic set of libraries in the Finale installation directory (see Finale Installation Details). There are also additional libraries installed that can be used for any document you create. And finally, you can create your own library to save commonly used element sets, even copying all elements from one document to another (see Moving Document Options Across Documents).
You add a library’s contents to the active document by choosing Load Library from the File menu, or by clicking Load Library in the Document options dialog box. Feel free to modify these libraries, or to create new libraries containing your own sets of symbols. For more information on libraries, consult the appropriate entries, such as Expressions, Document Options-Music Spacing, Chord symbols, and so on. See also the Save Library dialog box for an explanation of the different types of libraries. You can include any combination of the available score elements in the same library file.
Finale’s Articulation Designer dialog box lets you add intelligence to the markings you design. You can train them to jump into place on a note, a specific distance from the notehead. You can also designate a secondary, “upside-down” symbol (called the Flipped Symbol) for Finale to substitute if the note’s stem direction changes.
Main Symbol |
Flipped Symbol |
Default Vert. Pos. (EVPUs) |
Handle Pos. M(H,V)/F(H,V) (EVPUs) |
Playback Effect |
Auto-Positioning Options |
Metatool |
|
|
16 |
0,–4/0,0 |
Duration 40% |
Center, Note side, Avoid staff lines, Inside Slurs |
S |
|
|
16 |
0,-8/0, -32 |
Duration 30% |
Center, Note side, Outside Staff |
X |
|
|
14 |
0,–4/0,–23 |
Velocity 125% |
Center, Note side, Outside Staff |
A |
|
|
19 |
0,0/0,–35 |
None |
Center, Note side, Outside Staff |
Z |
|
|
16 |
0,–8/0,–32 |
None |
Center, Above Note, Outside Staff |
V |
|
|
16 |
0,–8/0,–34 |
None |
Center, Above Note, Outside Staff |
G |
|
|
14 |
0,0/0,-16 |
Duration 105% |
Center, Note side, Avoid staff lines, Inside Slurs |
E |
|
|
16 |
0,–2/0,–21 |
Duration 75% |
Center, Note side, Avoid staff lines, Inside Slurs |
W |
|
|
None |
0,0/0,-30 |
Duration 125% |
Center, Note side, Outside Staff |
Q |
|
|
23 |
None |
None |
Center, Note side, Outside Staff |
F |
|
|
36 |
None |
None |
Above, Outside Staff |
T |
|
|
24 |
None |
None |
Above, Outside Staff |
|
|
|
24 |
None |
None |
Above, Outside Staff |
|
|
|
24 |
None |
None |
Above, Outside Staff |
|
|
|
None |
None |
None |
Copy(H), Manually, Outside Staff |
Y |
|
|
36 |
0,-13/0,-13 |
None |
Center, Note side, Outside Staff |
M |
|
|
36 |
0,-13/0,-13 |
None |
Center, Note side, Outside Staff |
K |
|
|
48 |
0,10/0,0 |
None |
Center, Above Note, Outside Staff |
J |
|
|
12 |
None |
None |
Center, Above Note, Outside Staff |
U |
|
|
12 |
None |
None |
Center, Above Note, Outside Staff |
D |
|
|
14 |
None |
None |
Center, Note side, Avoid staff lines |
O |
|
|
23 |
None |
None |
Center, Note side, Avoid staff lines |
H |
|
|
23 |
None |
None |
Center, Note side, Avoid staff lines |
I |
|
|
16 |
0,-4/0/0 |
None |
Center, Above note, Avoid staff lines |
1 |
|
|
16 |
0,-4/0/0 |
None |
Center, Above note, Avoid staff lines |
2 |
|
|
16 |
0,-4/0/0 |
None |
Center, Above note, Avoid staff lines |
3 |
|
|
16 |
0,-4/0/0 |
None |
Center, Above note, Avoid staff lines |
4 |
|
|
16 |
0,-4/0/0 |
None |
Center, Above note, Avoid staff lines |
5 |
|
|
60 |
0,–48/0,0 |
None |
Center, Below Note, Outside Staff |
P |
|
|
60 |
0,-48/0,0 |
None |
Center, Below Note, Outside Staff |
L |
|
|
None |
None |
Attack (0/–256) |
Copy Vertically, Manually |
R |
|
|
–48 |
12,–12/–12,–16 |
None |
Center, Stem side |
6 |
|
|
–48 |
12,–12/–12,–16 |
None |
Center, Stem side |
7 |
|
|
–48 |
12,–12/–12,–16 |
None |
Center, Stem side |
8 |
|
|
12 |
36,–36/0,0 |
None |
Above, Outside Staff |
C |
|
|
36 |
24,8/0,0 |
Duration 50% |
Above note, Outside Staff |
B |
|
|
None |
None |
None |
Manually |
N |
|
|
None |
-26,-21/0,0 |
None |
Center, Note side |
9 |
|
|
None |
26,-21/0,0 |
None |
Center, Note side |
0 (zero) |
|
|
None |
None |
None |
Center, Stem side |
|
|
NA (For TAB) |
None |
None |
Duration 40% |
Center, Above Note, Outside Staff |
|
|
NA (For TAB) |
24 |
None |
None |
Center, Above Note, Outside Staff |
|
|
NA (For TAB) |
24 |
None |
None |
Center, Above Note, Outside Staff |
|
|
NA (For TAB) |
None |
None |
Velocity 125% |
Center, Above Note, Outside Staff |
|
|
|
24 |
0,4/0,–4 |
None |
Center, Above Note, Avoid Staff Lines, Outside Staff |
|
|
|
24 |
4,4/0,0 |
None |
Center, Above Note, Avoid Staff Lines, Outside Staff |
|
|
|
16 |
8,0/8,0 |
None |
Center, Above Note, Outside Staff |
|
|
|
16 |
8,0/8,0 |
None |
Center, Above Note, Outside Staff |
|
|
|
16 |
8,0/8,0 |
None |
Center, Above Note, Outside Staff |
|
|
|
18 |
20,10/20,-10 |
None |
Center, Note Side, Outside Staff |
|
|
|
18 |
18,0/10,-18 |
None |
Center, Note Side, Outside Staff |
|
|
|
24 |
18,0/10,-24 |
None |
Center, Note Side, Outside Staff |
|
|
|
12 |
10,0/10,-2 |
None |
Center, Note Side, Outside Staff |
|
|
|
14 |
8,4/8,-4 |
None |
Center, Note Side, Outside Staff |
|
|
|
14 |
8,4/8,-4 |
None |
Center, Note Side, Outside Staff |
|
|
|
8 |
2,0/2,0 |
None |
Center, Note Side, Outside Staff |
|
|
|
|
6,0/6,0 |
None |
Center, Note Side, Outside Staff |
|
|
|
10 |
-15,0/-15,0 |
None |
Center, Note Side, Outside Staff |
|
|
|
24 |
4,6/4,-24 |
None |
Center, Note Side, Outside Staff |
|
|
|
24 |
4,6/4,-24 |
None |
Center, Note Side, Outside Staff |
|
|
|
24 |
4,6/4,-24 |
None |
Center, Note Side, Outside Staff |
|
|
|
24 |
4,6/4,-24 |
None |
Center, Note Side, Outside Staff |
|
See Staccato marks and Rolled Chords for more complete discussions of these markings and their playback definitions.
Libraries of like font type and design can be loaded together to expand the number of available suffixes and fretboards. So, if you’re working in a file based on the Maestro Font Default (which contains the first type of library in Arial font) and you find you need more suffixes or fretboards, loading the Chord Suffix Expanded (Arial) library will provide you with more options in the same style and font.When you load a new chord suffix library, Finale compares the suffixes. If the suffixes are identical in position and font, Finale won’t duplicate the suffix, but will load the new fretboard.
Adding the Slash Chord libraries works similarly, with the exception that these libraries only add fretboards when loaded into libraries of like font type (they don’t add additional suffixes). After loading this library, you’ll find slash chord fretboards added to existing Maj, m, min, 7, m7, and min7 suffixes.
The list below identifies the chord symbols in these libraries. Remember that you can modify any of these symbols (for example, to change “min7” to “m7”), and that you can add as many new ones as you want.
Slot Number | Suffix | Slot Number | Suffix | Slot Number | Suffix | Slot Number | Suffix |
1 | Maj | 22 | min6 | 43 | m11 | 64 | |
2 | min | 23 | 6 9 | 44 | m13 | 65 | |
3 | aug | 24 | 6 min 9 | 45 | m(maj7) | 66 | 713 |
4 | dim | 25 | m | 46 | m9(maj7) | 67 | 79 |
5 | 7 | 26 | M7 | 47 | m7(add4) | 68 | 79 |
6 | min7 | 27 | m7 | 48 | m7(add11) | 69 | 13 |
7 | sus4 | 28 | M6 | 49 | 7sus4 | 70 | 13 |
8 | Maj6 | 29 | m6 | 50 | 7(5) | 71 | 13 |
9 | m7(5) | 30 | (add9) | 51 | 7(9) | 72 | 711 |
10 | aug7 | 31 | (add2) | 52 | 7(59) | 73 | 7sus2 |
11 | 32 | M7(5) | 53 | 7(59) | 74 | 13sus | |
12 | 33 | 7(5) | 54 | 9sus4 | 75 | 9(5) | |
13 | Maj7 | 34 | M7(11) | 55 | 9(5) | 76 | |
14 | 9 | 35 | M9(5) | 56 | 9(11) | 77 | 7sus(9) |
15 | 13 | 36 | M9(11) | 57 | 13sus4 | 78 | 13sus(9) |
16 | 7(11) | 37 | M13 | 58 | 13(5) | 79 | |
17 | 7(9) | 38 | M13(5) | 59 | 13(9) | 80 | |
18 | 39 | M13(11) | 60 | 13(9) | 81 | ||
19 | 11 | 40 | m(add2) | 61 | 13(11) | 82 | |
20 | m7(5) | 41 | m(add9) | 62 | 6 |
|
|
21 | dim7 | 42 | m9 | 63 | M9 |
|
|
Each library also stores a few additional learned chords that include an alternate bass note. In other words, Finale will correctly identify these chords, but they don’t necessarily appear in the Chord Suffix Selection dialog box. In the key of C, these learned chords are F/G, Dmin/G, and Dmin7/G; of course, Finale will recognize these chords regardless of the key you’re in, as long as they’re built on the same scale tones as these original learned chords.
Staff Style | Metatool Assignment |
Slash Notation | S |
Rhythmic Notation | R |
Blank Notation: Layer 1 | B |
Blank Notation: Layer 4 | K |
Blank Notation: All Layers | A |
Normal Notation | M |
One-Bar Repeat | O |
Two-Bar Repeat | T |
Standard 5-line staff | F |
1-line Staff: Full Barline | N |
1-line Staff: Short Barline | N |
Hide Staff | H |
Percussion: 1-line Staff | P |
Percussion: 5-line Staff | C |
Note Shapes | X |
Flute Transposition | 1 |
B Clarinet Transposition | 2 |
E Alto Saxophone Transposition | 3 |
B Tenor Saxophone Transposition | 4 |
This library also contains some sample rehearsal letters. The playback-defined expressions in this library are as follows:
Expression | Playback effect | Value |
Key velocity | 10 | |
Key velocity | 23 | |
Key velocity | 36 | |
Key velocity | 49 | |
Key velocity | 62 | |
Key velocity | 75 | |
Key velocity | 88 | |
Key velocity | 101 | |
Key velocity | 114 | |
Key velocity | 127 | |
Adagio | Tempo | 40 |
Moderato | Tempo | 80 |
Allegro | Tempo | 120 |
Transposition | 12 | |
Transposition | –12 | |
accel. | Tempo | Increases 26 beats per minute over four beats |
rit. | Tempo | Decreases 26 beats per minute over four beats |
The text repeats in this library are as follows:
D.C. al Fine | To Coda # |
D.C. al Coda | Fine |
D.S. al Fine | |
D.S. al Coda | |
D.S. al # | Go to Measure # |
The number sign (#), when it appears in a text repeat, represents a temporary “stand-in” for some variable. For example, if you place the “To Coda #” or the “D.S. al #” marking in the score, Finale will automatically substitute the text of the target (“Mark” type) text repeat for the number sign. (The result might be, for example, “To Coda .”) And if you place the “Go to Measure #” marking into the score, Finale will replace the number sign with the measure number to which you direct this marking’s playback. (The result might be, for example, “Go to Measure 44.”)
Finale User Manual Home
|