When Finale transcribes a real-time performance, you can specify how it should handle syncopation. For example, depending on the circumstances, you might prefer each of the following notations of the same syncopation:
Left: Tied syncopation notation. Right: “Softened” syncopation notation.
Finale decides how to notate such syncopations based on two factors: the time signature and the Soften Syncopations setting in the More Quantization Settings dialog box.
If the current meter is based on the quarter note (the time signature has a 4 on the bottom), you can ask Finale to write eighth note syncopations as eighth-quarter-eighth rhythms (as shown at right in the example above) instead of two tied eighth note pairs (at left, above). You must follow these steps before you record, however.
To eliminate tied-note syncopations
If the time signature has a 4 as its bottom half, you can use the same principle to “soften” quarter note syncopations—to play a quarter-half-quarter rhythm.
Change the meter to cut time (or another
half-note-based meter) before recording; see Time signatures
for full instructions. Finale will then notate both eighth-note and quarter-note
syncopations in the “softened” form (as shown in the example above.) When
you’re finished transcribing, you can change the meter back to its original
quarter-note-based time signature, if necessary. Alternatively, using
the Use a Different Time Signature for Display option (in the Time Signature
dialog box), you can make Finale display 
, even though
the actual meter is cut time. Once again, the program will automatically
soften both eighth and quarter note syncopations.
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